Voicing Women
Gender and Sexuality in Early Modern Writing
edited by Kate Chedgzoy, Melanie
Hansen & Suzanne Trill
$19.96 Paper / 208 pages / Index
copublished by arrangement with Edinburgh
University Press
ISBN
0-8207-0300-1
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Book Information
This volume represents an important
contribution to the growing field of feminist criticism and theory
in relation to Renaissance texts. As well as offering fresh, theoretically
inspired readings of women writers, it also brings new material to
light, in some cases offering the first critical discussion of the
works of such lesser-known writers as Dionys and Fitzherbert. Thematically,
these eleven essays reflect a variety of perspectives. Contributors
examine the material constraints on the expression of women's voices
in the sixteenth and seventeenth centuries, illustrating both the
difficulties with which the women were faced and their capacity to
overcome them. Attention is paid to issues of gender in representation,
with chapters on the use of female voices in male-authored texts and
the different ways in which the body is portrayed by male and female
writers. Finally, women's voices are placed in a religious and political
context, with chapters considering texts by historically significant
male writers such as Knox and Bunyan. Voicing Women is a collection
that aims to address the growing demand for critical essays on Renaissance
texts. It will be an invaluable resource for all those involved in
this field of literary studies.
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Author Information
KATE CHEDGZOY is lecturer in English and comparative
literary studies at the University of Warwick.
MELANIE HANSEN lectures in English at the University of Durham.
SUZANNE TRILL is lecturer in Renaissance literature at Queen's University,
Belfast.
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Reviews
"The voices of early modern women
have, until very recently, been muted. But no more. Obscurity is
a thing of the past. . . . Voicing Women is part of this
broad rearticulating of the writings of early modern women, and
the editors have assembled a collection of essays which not only
develops our understanding of relatively established authors. .
. . but also introduces new names. It is an invaluable addition
to the accumulation of scholarship in the field."Times
Literary Supplement
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